Secret Garden Series -#2 OWL

18 x 24″ watercolor – Secret Garden Owl

My second painting is complete. I don’t know if it’s the distraction of the pandemic, but it feels like it took forever! I’m very happy with how it turned out. I feel like it conjures up the feeling of a secret garden.

Here are a list of objects to find within my secret garden painting:

A Dharma wheel, a Mayan temple, a chrysalis, an evil eye, a praying mantis, a potion bottle, the queen of clubs, fire flies, a fiddle head fern, matches, and a ladder.

Also, I am adding a Latin quote in each painting. This painting says “ALIS VOLAT PROPRIIS” which means “She flies with her own wings”.

Here were the three little studies I created to come up with ideas and the comparison to the large final painting:

So that’s it. Next I will begin part 3, the rabbit!

Secret Garden Series – #1 Raccoon

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Secret Garden Series – #1 Raccoon  watercolor 18″ x 24″

It feels so darn good to finish a painting!

Not to mention, it sort ended up how I imagined.  I finally got enough “garden” in there to feel “Secret Gardeny”.

Here’s a good visual of how I started with the small studies and now I am continuing with large paintings.  The small studies allowed me to work out a bunch of ideas:

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So now that I have completed the first large painting, I can better explain what I envisioned.

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Months ago, I had the idea to try and create artwork that marries all the things I am passionate about.  It’s taken years to figure that out, but here they are:  Color, Animals, Gardening, Flowers & Fabric.  Then, I had another idea.  What if I created my own secret garden where I could hide objects for people to find?  That to me, would make it more fun and “secret”.  The photo above shows tons of little pieces of paper where I worked out what objects I’d like to hide. I’m using them now as cues for each painting.

So take a look again, the painting has a bunch of things to look for.

 

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Find:  A puzzle piece, a dragon fly, a feather, a skull, blue berries, a teacup, a spider, a seashell, mushrooms and a lock.  I also decided I am going to place a Latin phrase in each image.  For this one, I selected “Memento Vivere” which translates to “Remember to Live”.  You know, like life is short so your really ought to go for it :)

I’ve heard twice now that this would make a great puzzle.  …Oh man.  Why hadn’t I thought of that?  It really would!  When I’m done with the series, I am going to have to search for how to submit my images to puzzle companies. That would be awesome.

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This is my favorite part of the image. If and when I ever find time, I’d like to go back and try this as it’s own painting:

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So that’s it.  File this one away and get cracking on #2 which is The Owl.  Off I go!

2nd Set of Secret Garden: Birds

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5×7″ watercolor study for Secret Garden Series

This is the final 8th concept.  Birds. Birds. Birds.  My favorite!  At any given moment, I can stare out the window and be brought back to nature.

The challenge for me, is that birds are rather small and generally far apart.  How do you wrap them all into a strong composition? Here are a few attempts, but I have to say I haven’t found a concept I’m truly content with …

birds

Right now I am beginning another concept for birds.  I’m sketching a layout of pottery and then adding birds into the composition.  I’m hoping this is the winning idea.  It will be personal because I adore pottery making.  Now, to figure out how to add the Secret Garden element.  hmm…

 

2nd Set of Secret Garden: Peacock

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5×7″ study for Secret Garden Series

You simply can’t have an imaginary garden without a peacock. You just can’t!  One of our local farms has peacocks roaming freely.  I can’t help but follow them around. They intrigue me to no end. Gosh darn it, they are exotic looking and so much fun to paint!

Below are two different studies I have completed.  Newest to the left.

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I like the change of venue for the peacock,  but the Egyptian scarab is just too blatant.  I have started a third series of sketches and wound up changing it entirely.  I do like the blue and white wall painting though. Something like that will resurface in the new one.  That, and I’m adding a Siamese cat. Because let’s face it, I kind of have an Asian animal theme going on, so why not!

2nd Set of Secret Garden : Foxes

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For those of you not following my story, here it is.  As an artist, I decided to take on a year long project.  I’m titling it My Secret Garden Series.  Reason being, I’ve slowly deduced over many months and years that I have a great love of nature, gardening, animals, the mystical, the symbolic, color and fabric design.  How could I wrap them all into one project?  I came up with the concept of a secret garden where nothing has to necessarily be real. I could use my imagination.

For the past decade I have been painting still lives and landscapes based on real life. So this is a big leap for me.  I’m “making stuff up”.  The challenge is that the options are limitless.  I’m staring at a blank piece of paper.  What animals will I choose?  What flowers?  What architecture is in the background? Can I find a way to incorporate patterns?  What’s the story behind the image? 

The answer is I don’t know.  So I am slowing down and taking the time to answer the questions.

I like to paint large.  Generally no smaller than 24 x 36 inches.  This is because with watercolor, it allows each subject some space for me to really play with the water and paint.  You get more of those “happy accidents”.  So another challenge for me is that I am creating small thumbnail paintings.  My first painting attempts were 8×10 inches and now my second attempts are even smaller, 5×7 inches.  I could just do a ton of fast sketches in a sketchbook, but instead, I am taking my time, thinking things through and completing each little painting start to finish.

My thought is that it may be fun to sell them on Etsy when I’m done. The other idea I love is that they are telling a story.  With each attempt, I can see my thoughts and the changes occurring which will eventually lead me to my final paintings.  I’m creating a history.

OK. With all that out of the way, let’s start talking about my new secret garden studies and the changes I have made from the initial studies.  The picture below has my new sketch on the top and the initial sketch down below.

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I had absolutely no idea what to draw initially, so what came out – is what came out.  But after analyzing my original painting I thought to myself Mailboxes?  That isn’t too mysterious or secret-garden like.  I need to change the background.

For my second attempt I was very focused on changing the background.  And so I did.  What I see though, is in focusing so hard on changing that, I  completely forgot about the garden part.  So when I attempt a third round of sketches, I would like to have way more wild-life and vegetation and not so much focus on the “where”.  I feel like I got really “tight” in the second renderings, so I also need to focus in on loosening up my style for the third time around.

I wanted to address my self-critiquing.

  I hear from a lot of people that it makes them feel uncomfortable.  I guess the feeling is that I am being hard on myself and not appreciating the good that has come from my hands?  The word would be self-deprecation.  I just wanted to argue this is not my intention.  In art school we’d start every session over-analyzing each other’s work.  Artists thankfully are not robots, so nothing is perfect.  Considerations about line, composition, color and style are vital to improvement.  If my vase is lop-sided and that’s not on purpose, I’d thank some one for telling me.  Some days you just don’t see it.

Anyways, the reason I am blogging about my own analysis is not to throw a pity-party.  I want to share my thought process.  There are a hundred thoughts.  A hundred considerations.  Each artist comes at art making with different perspectives.  I’m simply trying to push myself harder and further.  You’d expect that from an athlete, so let it be ok for an artist too.  (It’s OK. I’m pretty tough.  I can take it ;)

For the next few days I will post my second attempts.  So stay tuned… Thanks!

Secret Garden Series – Cat and Fowl

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8 x 10″ watercolor study.

Here is a great example of how an image evolves if you continue to draw and sketch it. Below is my first drawing:

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After drawing this initial study, I felt like I wanted a more tight/ close-up composition.

Recently, I just started my third attempt at this concept which is already completely different.  I chose a different building facade, a different cat laying in a different position and different flowers.  If something has never existed before, you need to look at it in many different ways to finally know what it is you want.  It’s like an architect.  They have to be able to visualize an arch, dome, cube and cone attached in all sorts of ways, well before they break ground on a building.  However, they get to use computers. I’m using a fairly archaic mind ;)

Overall, I like the subject matter.  So the concept will go forward.  I may add fabric into the layout as well as symbols and secrets.

 continuing on …

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Rabbit and Snail

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This rabbit study is one of my favorites.  I think I was able to conjure up a little bit of moodiness and mystery.

This is one of the 8 x 10 inch preliminary drawings for me Secret Garden series.

It’s also a great example of how the image changes each time I draw it.  The bottom drawing was the initial sketch and the top a second rendering.  You get to try different things out yet, improve on the areas you like.

This concept moves forward to the next stage…

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Chickadee

This is one of the little 8×10″ watercolor studies that is getting scrapped.

For me, I guess it’s because it just doesn’t tell enough of a story.  I couldn’t answer the questions why are they there and why does it matter?  

I do LOVE chickadees and house wrens though. I love that I can look out on my lawn and not see them, but if I look just a little bit longer than usual, I realize they were there all along.  They blend in so well it’s hard to believe they are scattered throughout the yard!  For this reason, it sort of makes them difficult to paint.  If an animal camouflages itself in the real world how do you make it stand out in your fantasy world?

Here were two ideas for cropping to make a stronger composition:

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But alas, in the end, it was not enough to make it to the next round.  I will sneak the birds into a future study, but this scenario is a -no.

Candle extinguished. Voted off the island. Do not pass go and do not collect $200 dollars.

next!